The Song That Sings Us - A Review
The Song That Sings Us
Written by Nicola Davies
Illustrated by Jackie Morris
Published by Firefly, 2021
When animals speak, it’s time humans listened.
This is the central message of zoologist, presenter and writer Nicola Davies’ upper middle-grade, environmental tale, The Song That Sings Us. With beautiful cover and chapter illustrations by the award-winning, instantly-identifiable Jackie Morris, the book weaves a powerful tale that never preaches, but instead acts as a rallying call and offers hope at a time when it’s most definitely needed, all delivered in a cracking adventure story.
The first thing that jumped out at me was the poetry of the title, which perfectly captures that thing that connects us all, both humans and the natural world. Songs have always carried the greatest, most direct messages; they are acts of communication and communal union that have evolved in line with the world they depict and colour, connecting their voices with the ancient past, the now and the far future. In the world that is the setting for the story this is also the case: the song is the link between every creature.
One of the many fascinating aspects of the novel is that the humans in the tale fit into distinct categories. Ash and Xeno are Listeners: humans that have the outlawed power of siardw that enables them to hear what other animals are saying and thinking. This puts them on the radar of the sinister Automators, who aim to dominate and destroy nature, and so in grave danger. The Green Thorns, however, are trying to save the natural world from extinction.
In the gripping opening, Harlon and her twin siblings Ash and Xeno are trying to help their mother defend their home against the approaching Automators. That is until their mother tells them to flee to save themselves, which they do on snowboards down the deadly Skull Gully, which is six thousand feet in length and holds ‘six thousand ways to die.’ They are to find a ‘lost island’, and set out on a perilous journey that separates them from one another and throws them individually into the hands of the enemy. Xeno is kidnapped and Harlon and Ash are separated. In the thrilling adventure that follows, they all journey alone through the ice fields, forests and oceans of Rumyc to try to rescue each other and fulfil the promise that they made to their mother about the island.
The fact that Davies has written over eighty books for children is very much on display here. Her voice is one of wisdom, and her deep understanding of storytelling and nature speaks to us in perfect harmony through a text heaving with poetic moments, reminding us of our deep need to connect with the natural world. The novel will certainly appeal to readers who enjoyed Piers Torday’s The Last Wild series, and I would recommend this book for children in Upper Key Stage 2. It would make an excellent text for any adventure or quest story teaching in English, and the broader themes of environmental issues, friendship and hope will make it relevant to both Geography and RSHE learning also.
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